It’s been eighteen years since Jesse and Celine first met on that train heading to Vienna and it’s been nine years since Jesse missed that flight. Richard Linklater’s trilogy of Before films capture that magical moment of meeting, connecting and falling in love with someone on an honest, real and relatable level that is always hard to find in romantic movies. Normally set over a short few hours they have become a real case study into the workings of relationships, communication and ideals. On paper and in theory they shouldn’t work, the films comprise of one hundred or so minutes of conversation. Long shots of Jesse (Ethan Hawke) and Celine (Julie Delphy) spouting dialogue that feels more like a stream of consciousness than a script, but this is where the films soar. The chemistry between the two leads is something that doesn’t come around all too often and the performances suck the viewer in rather than exclude them. And thankfully for all fans of the franchise, Before Midnight stays true to its predecessors and is a brilliant third act to the play about these two lovebirds.
More brutal in its approach than Before Sunrise and Sunset,
Before Midnight is almost uncomfortable to watch in certain parts which is
definitely proof of its triumph. Conversations seem familiar and all too well
performed by the leads. As realistic yet magical as it’s predecessors Before
Midnight isn’t the ill-fated third chapter cinemagoers are so used to now in
days. Jesse and Celine still have some bark left in them, and maybe even some
bite.
XXX
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