Gus Van Sant, film marmite. Apart from Good Will Hunting the
majority of his films polarise people’s opinions. His work is trademarked with
lots of slow organic shots, minimal dialogue and a pace akin to the trudging of
an auld wan on her way to the shops. Personally I think this month’s dish is a
great piece of filmmaking but if that’s not your bag than stop reading right
here. No really, just stop, I mean it. You’ll get angry at me if you watch it.
Severed up this month is Last Days (2005) the story of a musician
dealing with depression, isolation and suicidal thoughts. And once I tell you
that the plot is based on Kurt Cobain you don’t need to be a genius to figure out
how it all ends. Due to Courtney Love’s tight grasp on all things Nirvana the
copyright and green light was never given so we have changed names and no
nirvana music but it’s pretty blatant as to where Gus Van Sant has gotten his
inspiration from.
Last Days works beautifully in the sense that it captures
the feeling of voyeurism quite well. A fan of Nirvana will know that that was
always an issue with Kurt, the fame that the band brought, the feeling of
always being watched. Michael Pitt does a stellar job as the infamous frontman,
even belting out a not too bad singing impression of the late musician. He has
got the forlorn, disconnected thing down pat and his traipsing’s seem to come
quite naturally. Some may argue that he spends the most part of the film hiding
behind his hair and mumbling quite a bit but that strikes me as a familiar
practice amongst angst ridden musicians anyways.
Michael Pitt has picked quite interesting roles in his career
(see Funny Games, The Dreamers) after his dire turn on Dawson’s Creek. Looking
like Leonardo DiCaprio’s weird younger brother that never leaves his room and
spends all his time filming plastic bags floating in the wind he could have
fizzled off to nothing but give this man time. With his recent exit from
Boardwalk Empire I think he could be one to watch. At least one to entertain
and shock.
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